Sidney Lumet's handling of the material doesn't miss a beat. Hey, I'm more than willing to take it. An Oscar-nominated Richard Burton and Peter Firth star in Sidney Lumet's adaptation of Peter Shaffer's acclaimed play. A disturbed teenager gouges out the eyes of six horses but it's psychiatrist Burton whose most basic. Sidney Lumet - Wikipedia, the free encyclopedia. Sidney Lumet. Born. Sidney Arthur Lumet(1. June 2. 5, 1. 92. Philadelphia, Pennsylvania, U. S. Died. April 9, 2. Manhattan, New York, U. S. Cause of death. Lymphoma. Residence. Beverly Hills, California, U. S. Manhattan, New York, U. S. Nationality. American. Ethnicity. Jewish. Education. Professional Children's School. Alma mater. Columbia University. Occupation. Director, producer, screenwriter, actor. Years active. 19. Gloria Vanderbilt(m. Directed by Sidney Lumet UK 1977 What would drive Alan Strang (Peter Firth), a troubled adolescent stable boy, to blind six horses with a metal spike? Psychiatrist Martin Dysart (Richard Burton) investigates these unspeakable. Title details and video sharing options. In the recollection of psychiatric patient Alan (Peter Firth), institutionalized for blinding horses, his introduction. Read movie and film review for Equus (1977) - Sidney Lumet on AllMovie - In Sidney Lumet's cinematic adaptation of Peter A psychiatrist, Martin Dysart, investigates the savage blinding of six horses with a metal spike in a stable in Hampshire, England. The atrocity was committed by an unassuming seventeen-year-old stable boy named Alan Strang. Children. Amy, Jenny. Parent(s)Baruch Lumet. Eugenia Wermus. Sidney Arthur Lumet (loo- MET; June 2. He was nominated for the Academy Award as Best Director for 1. Angry Men (1. 95. Dog Day Afternoon (1. Equus is a 1977 Drama, Horror film directed by Sidney Lumet and starring Richard Burton, Peter Firth. Equus (1977, Sidney Lumet) DVD NEW in DVDs & Movies, DVDs & Blu-ray Discs Network (1. 97. 6) and The Verdict (1. He did not win an individual Academy Award, but he did receive an Academy Honorary Award and 1. Oscars, such as Network, which was nominated for ten, winning four. The Encyclopedia of Hollywood states that Lumet was one of the most prolific filmmakers of the modern era, having directed more than one movie a year on average since his directorial debut in 1. His first movie was typical of his best work: a well- acted, tightly written, deeply considered . From that point on Lumet divided his energies among other idealistic problem pictures along with literate adaptations of plays and novels, big stylish pictures, New York- based black comedies, and realistic crime dramas, including Serpico and Prince of the City. As a result of directing 1. Angry Men, he was also responsible for leading the first wave of directors who made a successful transition from TV to movies. A few months after Lumet's death in April 2. New York's Lincoln Center with the appearance of numerous speakers and film stars. He studied theater acting at the Professional Children's School of New York and Columbia University. He made his professional debut on radio at age four and stage debut at the Yiddish Art Theatre at age five. The film was shown in a theatrical play with the same title, based on a hit song, . The play and short film appeared in the Bronx Mc. Kinley Square Theatre. After returning from World War II service (1. He organized an Off- Broadway group and became its director, and continued directing in summer stock theatre, while teaching acting at the High School of Performing Arts. The 2. 5- year- old Lumet directed the drama department in a production of The Young and Fair. After working off- Broadway and in summer- stock, he began directing television in 1. Yul Brynner. As a result, while working for CBS he directed hundreds of episodes of Danger (1. He chose Cronkite for the role of anchorman . His ability to work quickly while shooting carried over to his film career. It was a critical success and established Lumet as a director skilled at adapting theatrical properties to motion pictures. For US Supreme Court Justice Sonia Sotomayor, seeing the film for the first time was a pivotal moment in her life, as she was at that time considering a career in law. According to The New York Times, the drama drew flack from the state of Massachusetts (where Sacco and Vanzetti were tried and executed) because it was thought to postulate that the condemned murderers were, in fact, wholly innocent. But the brouhaha actually did Lumet more good than harm, sending several prestigious film assignments his way. In 1. 95. 9, he directed Marlon Brando, Joanne Woodward and Anna Magnani in the feature film The Fugitive Kind, based on the Tennessee Williams play Orpheus Descending. He later directed a live television version of Eugene O'Neill's The Iceman Cometh, which was followed by his 1. A View from the Bridge, another psychological drama from a play written by Arthur Miller. This was followed by another Eugene O'Neill play turned to cinema, Long Day's Journey into Night, in 1. Katharine Hepburn gaining an Oscar nomination for her performance as a drug- addicted housewife; the four principal actors swept the acting awards at the 1. Cannes Film Festival. It was an inner energy, a hum of existence that Lumet observed in people and brought out in them. Lumet's streets were just as mean as Scorsese's, but Lumet's seemed plain rather than poetic. He channeled that New York skeezy vitality with such natural force that it was easy to overlook what was truly involved in the achievement. He captured that New York vibe like no one else because he saw it, lived it, breathed it . As a result, Lumet became renowned among both actors and cinematographers for his openness to sharing creative ideas with the writer, actor, and other artists. He was able to draw powerful performances from acting luminaries such as Ralph Richardson, Marlon Brando, Richard Burton, Katharine Hepburn, James Mason, Sophia Loren, Geraldine Fitzgerald, Blythe Danner, Rod Steiger, Vanessa Redgrave, Paul Newman, Sean Connery, Henry Fonda, Dustin Hoffman, Albert Finney, Simone Signoret, and Anne Bancroft. He did so with Nick Nolte, Anthony Perkins, Armand Assante, Jane Fonda, Faye Dunaway, Timothy Hutton and Ali Mac. Graw, who herself referred to him as . Such control of his craft. He had strong, progressive values and never betrayed them. It compels the spectator to examine one facet or another of his own conscience. It stimulates thought and sets the mental juices flowing. Sidney Lumet. Tomasulo agrees, and points out that many directors who are able to understand acting from an actor's perspective, were all . A leading example of such . Lumet also preferred the appearance of spontaneity in both his actors and settings, which gave his films an improvisational look by shooting much of his work on location. According to acting author Ian Bernard, he felt that it gives actors the . When filming Prince of the City, for example, although there were over 1. As a result, write historians Charles Harpole and Thomas Schatz, performers were eager to work with him as they considered him to be an . Actor Christopher Reeve, who co- starred in Deathtrap, also pointed out that Lumet knew how to talk technical language: . Sidney Lumet was like that. All wonderful directors will do that. She describes how Lumet and star Paul Newman sat on a bench secluded from the main set, where Newman had taken his shoes off, in order to privately discuss an important scene about to be shot. The actors walk through their scenes before the camera rolls. This preparation was done because Lumet likes to shoot a scene in one take, two at the most. Newman liked to call him . A racing pulse generated by a big heart. Its star, Anne Bancroft embodied the kind of character portrayal that attracted him: . Garbo Talks in many ways is a valentine to New York. His Academy Award nominations, for example, were all for character studies of men in crisis, from his first film, Twelve Angry Men, to The Verdict. Lumet excelled at putting drama on the screen. The most important criterion for Lumet was not simply whether the actions of the people are right or wrong, but whether they were genuine and justified by the individual's conscience. Whistleblower Frank Serpico, for example, is the quintessential Lumet hero, whom he described as a . In it, Steiger played a Holocaust survivor whose spirit had been broken and lives day- to- day as a pawn shop owner in Harlem. Lumet used the film to examine, with occasional flashbacks, the psychological and spiritual scars Steiger's character lives with, including his lost capacity to enjoy pleasure. He admits, however, that he does not believe that art itself has the power to change anything. Lumet quickly became esteemed .. He was that rarity of the 1. His sensitivity to actors and to the rhythms of the city have made him . They felt unconstrained as filmmakers and their art became . Lumet, like the others, sometimes turned to Jewish themes in order to develop ethnic sensibilities that were characteristic of contemporary American culture. From his first feature film, 1. Angry Men (1. 95. Q & A (1. 99. In a film like Murder on the Orient Express (1. Future generations of film- makers will look to Sidney's work for guidance and inspiration but there will never be another who comes close to him. He edited his films so the camera was unobtrusive. His cinematographer, Ron Fortunato, said . He abides by good scripts, when he gets them. I said it was like making a mosaic. Each setup is like a tiny tile (a setup, the basic component of a film's production, consists of one camera position and its associated lighting). You color it, shape it, polish it as best you can. You'll do six or seven hundred of these, maybe a thousand. He was married to actress Rita Gam from 1. He had two daughters by Jones: Amy, who was married to P. She also wrote the screenplay for the 2. Rachel Getting Married. I do know that I don't want to take up any space. Burn me up and scatter my ashes over Katz's Delicatessen. Fellow New York directors Woody Allen and Martin Scorsese both paid tribute to Lumet. Allen called him the . Perhaps Lumet's signature as a director is his work with actors . From Katharine Hepburn to Faye Dunaway, Henry Fonda to Paul Newman, Lumet is known as an actor's director. In 2. 00. 5, Lumet received an Academy Award for Lifetime Achievement for his . Much more important than Oscar. Lumet had worked with Human Rights First on a media project related to the depiction of torture and interrogation on television. Cobb, Martin Balsam, Jack Warden, Ed Begley, E. Marshall, Joseph Sweeney. Stage Struck. Henry Fonda, Susan Strasberg, Christopher Plummer. That Kind of Woman. Sophia Loren, Tab Hunter, Jack Warden, Keenan Wynn, George Sanders. The Fugitive Kind. Marlon Brando, Joanne Woodward, Anna Magnani, Maureen Stapleton. A View From the Bridge. Raf Vallone, Jean Sorel, Carol Lawrence. Long Day's Journey into Night. Katharine Hepburn, Sir Ralph Richardson, Jason Robards, Dean Stockwell. The Pawnbroker. Rod Steiger, Geraldine Fitzgerald. Fail- Safe. Henry Fonda, Dan O'Herlihy, Walter Matthau, Larry Hagman. The Hill. Sean Connery, Harry Andrews, Ian Bannen, Ossie Davis, Roy Kinnear, Sir Michael Redgrave.
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